Post-Impressionism

Gwen John: A Converted Artist

Magda Michalska 20 July 2026 min Read

Have you ever heard of the artist Gwen John before? She was a painter from Wales following the Post-Impressionist style. The compositions of her artworks are tranquil, and her color palette is very bright. Let’s get to know her a little bit better! 

Gwen John, A Corner of the Artist's Room, Paris, c.1909, National Museum Wales
Gwen John, A Corner of the Artist’s Room, c. 1909, National Museum Cardiff, Cardiff, UK.

Gwen John studied art at the Slade School of Art together with her brother Augustus. However, they were complete opposites artistically. Contrary to Augustus, she lived a reclusive life and favored introspective subjects.

Gwen John, Interior with Figures, 1898–1899, National Gallery of Victoria, Melbourne, Australia.

After her studies at Slade, John moved to Paris to study art under Whistler. In 1899, she returned to London for a short period, then in 1904 she settled permanently in France. Living in Paris, she earned her living modeling for other artists. This is how she met Auguste Rodin who became her lover. After the unsuccessful end of their affair, she continued to live alone. From 1911, she stayed in Meudon, on the outskirts of the city, where she spent most of her life. Her paintings depict her solitude, as she often painted her empty room in the attic. However, the paintings do not have an atmosphere of loneliness or sadness, rather they are contemplative and calm.

Gwen John, The Convalescent, 1924, Tate
Gwen John, The Convalescent, 1924, Tate, London, UK.

In 1913 John converted to Catholicism and she said:

My religion and my art, these are my life.

Gwen John, ArtUK.

 

Most of her paintings are studies of single figures (typically girls or nuns, many self-portraits) in interiors, which, in a sense, remind me a lot of Vermeer. They are equally sensitive, restrained, and delicate.

Gwen John, Mère Poussepin Seated at a Table, 1913, National Museum Cardiff, Cardiff, UK.

During her lifetime, she had only one exhibition at the New Chenil Galleries, London, in 1926. She was little known, and in her final years she lived virtually like a hermit. Her brother prophesied that one day she would be considered a better artist than him. Maybe it actually came true?

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