The North Atlantic House (Nordatlantens Brygge) is a place promoting art and culture of Northern Europe with a focus on the Faroe Islands, Greenland, and Iceland. Located in the heart of Copenhagen, the cultural center made it onto the Campaya list of the city’s top six sights in 2021. As an independent cultural institution, it allows visitors to experience exhibitions, readings, concerts, and film events. The building also houses a café and a boutique with products from the three regions represented.
Hallgrímur Helgason—(Self-)Portraits
The North Atlantic House is currently showing an exhibition of paintings by Icelandic artist and author Hallgrímur Helgason. Titled Group Portrait of the Self, the show presents works from the years 2021–2023, which are displayed on two floors—the first floor presents the eponymous group portraits, while on the second, one can see a series from 2023 of portraits of imaginary people, which the artist has titled 4Faced.
Helgason is best known for novels such as Reykjavik 101 (1996) and Seasick in Munich (2015). Icelandic ambassador Árni Þór Sigurðsson writes about the artist in the booklet accompanying the exhibition:
The large-format acrylic paintings are based on a series of drawings that Helgason made in 2020. The unifying element: they all contain groups of fantastical, cartoonish figures standing close together. The drawings reminded the artist of the typical band photographs of rock bands. All of these figures are the product of Helgason’s fantasy and imagination.
In the text accompanying the exhibition, Helgason writes the following about his experiences during the working process and creation of the figures:
Paintings Dense with Personal Narrative
As the close-up exemplifies, Helgason’s paintings captivate the viewer with their richness of color and detail. Furthermore, they excite through the depth of character of the figures depicted. As viewers, we follow a sprawling, fragmented narrative that revolves around the artist’s soul. Each picture is an anthology that combines short stories and text fragments. These different narrative strands get combined into a coherent whole. However, once observers have gained an overview of one painting and moved on to the next, it becomes clear that this new painting adds many more narrative levels to the first one. In this way, it is possible to walk in a circle from painting to painting during the exhibition visit, discovering something new with each glance.
Artist as a Critic
Echoes of the figurative-fantastic nature of the exhibition works can already be found in Helgason’s 2019 show Women Hungry, Men Angry (Two Raven Arthouse, Reykjavík). Compared to these paintings, it is visible that the colors are now more vivid and the lines clearer. The change is due to the different focal points of the shows. In both cases, the subject matter is deeply personal. But while Helgason’s 2019 work reflects on patriarchal society and his experiences as a victim of sexual violence, Group Portrait of the Self shows an artist who has reflected on and accepted his multifaceted biography. For Helgason, the new working approach of these paintings as self-portraits opened up infinite possibilities.
4Faced—Fantastic Portraits
On the upper floor of the exhibition, Helgason presents a portrait series that blurs the boundaries between painting and drawing. Drawn with acrylic markers on paper, the many-faced and fantastical portraits appear as a bold, postmodern homage to classical portrait paintings. The social criticism intended by the artist is central: the self (a different one this time, not the artist’s) is split into four parts that Helgason parallels with the four cardinal directions—East and West, North and South. Each of the eight eyes has its own task. One looks after the family, one reads emails, another one reads Messenger, one checks Facebook, another Instagram, another X and the last one searches for God.
Next to the works on the wall is the following quote, which summarizes Helgason’s train of thought: 4faced—For today’s world you need eight eyes.