Konark Temple: The Celestial Chariot of the Hindu Sun God
Nestled on the eastern shores of the Indian subcontinent in Konark, Odisha, India, the Konark Sun Temple is a revered shrine dedicated to the Hindu...
Maya M. Tola 20 June 2024
The ancient region of Gandhara, the “Land of Fragrance,” played a vital role in developing Buddhist art and deepening its global influence. With the dynamic cultural interactions and artistic exchanges facilitated, the Hellenistic world and ancient Indian civilizations met to lay the groundwork for a one-of-its-kind artistic expression.
Gandhara was the hub for Buddhist art and architecture, as well as the rich literary tradition both entail. Gandharan monks and missionaries were crucial in promoting Buddhism and establishing it as a world religion. The region also became a place of pilgrimage for Buddhist monks from China.
Dish with Apollo and Daphne, ca. 1st century BCE, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
Gandhara is a region in the northwestern section of the Indian subcontinent, encompassing northwest Pakistan and northeastern Afghanistan. Situated along the ancient Silk Road trade route, Gandhara was strategically significant as a melting pot between India, Central Asia, and the Mediterranean.
Several religions thrived throughout Gandhara’s long and diverse history. Gandhara is important in Hinduism and cited in Hindu literature such as the Mahabharata and the Ramayana. Zoroastrianism and other faiths were cultivated there when Persians ruled the region during the Achaemenid Empire between the 6th and 5th centuries BCE.
Dharmarajika stupa, Taxila, Pakistan. Photograph by Sasha Isachenko via Wikimedia Commons (CC-BY-SA-3.0).
Ashoka the Great, the third emperor of the Mauryan Empire, ruled between 321 BCE and 185 BCE. Around 260 BCE, Ashoka led a brutal invasion of Kalinga. Around 100,000 fatalities occurred, and many more were left in turmoil. Shocked by the consequences, Ashoka embraced Buddhism. Despite the legendary aspects of his transformation, his patronage did help disseminate Buddhism. He commissioned the construction of stupas across the vast Mauryan empire, one of the earliest Buddhist architectural sites. The ancient city of Taxila in Gandhara became a major center for Buddhist learning and monastic life, attracting scholars, monks, and pilgrims from across Asia.
Panel with Birth of the Buddha Shakyamuni, ca. 2nd century CE, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
In early Buddhist art of India, the Buddha was not yet represented in human form. His presence was indicated symbolically by icons such as footprints, an empty seat, or an empty space beneath a parasol. In the 1st century CE, Gandhara introduced the first anthropomorphic representations of the Buddha. From then on, the Buddha became an embodiment of realistic human forms, with wavy curls and detailed drapery inspired by Greek art.
Standing Bodhisattva Maitreya (Buddha of the Future), ca. 3rd century CE, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
Gandhara was assimilated into the Indo-Greek Kingdom after Alexander the Great’s conquest in the 2nd century BCE. This brought Hellenistic cultural and artistic influences. When Greek realism encountered ancient Indian themes, they combined to create a distinctive Gandharan Buddhist art style. Gandhara sculptures exhibited naturalism and anatomical detail reminiscent of classical Greek sculpture, incorporating many motifs and techniques from Classical Roman art, including vine scrolls, cherubs bearing garlands, tritons, and centaurs. Iconographic elements like the halo around the Buddha’s head and bodhisattvas with elaborate crowns and jewelry also appeared.
Frieze with two seated Buddhas, ca. 2nd–3rd century CE, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
The Kushan Empire, deriving from the Yuezhi people of northwestern China, annexed Gandhara during the 1st and early 2nd centuries CE. The Kushans fostered a distinctive Gandhara style that solidified Gandhara as a major center of Buddhist art and learning. Consequently, the Hellenistic artistic canons extended further into India under the Kushans, influencing and being influenced by the Mathura school in modern Uttar Pradesh.
Standing Buddha with radiate combined halo, ca. late 6th century CE, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
After the demise of the Kushan king Kanishka the Great in 151 CE, the empire started losing territories. Subsequent rulers, including the Sassanids and the Hephthalite Huns, controlled Gandhara. By 664 CE, Gandhara was dilapidated after prolonged wars and disruptions of trade and urban centers. The name Gandhara disappeared in 1021 CE after the invasion of Mahmud of Ghazni. Islam then became the dominant religion. Gandhara art was forgotten until its rediscovery by British administrators studying the Indian subcontinent in the 19th century.
The Death of the Buddha (Parinirvana), ca. 3rd century, ancient Ganhara (today’s Pakistan), Metropolitan Museum of Art, New York City, NY, USA.
Although British archaeologists’ excavation activities in the 19th and 20th centuries directly brought global attention to this remarkable era, many more significant discoveries continue to shape our understanding of Gandhara and its cultural significance in history. Gandharan art has been known for its uniqueness. Many works from that era are now on display in museums worldwide.
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